We encourage all of our models to bring ideas to the set. We basically collaborate the ideas that each of us have and come to a conclusion on what we feel would make the best scene for the two models involved. Some of our guys are more creative than others so we always have an outline of what we want to see and as the scene takes place things are added to help it feel more natural. Of course we have some guys that are extremely creative and come to us with ideas of what they would like to try. Sometimes the ideas are used and sometimes we need to alter them a bit.
This particular scene wasn't our typical format and we don't intend to do this for all of our scenes but it is nice to bring in different ideas and change things up for a bit as we have a wide variety of interest in our membership. I believe that we have a little bit of something for everyone on this site.
I have nothing against broadening the variety of scene-types offered on
Broke Straight Boys As you state in your post there are a wide variety of members whose interests are varied. And I think it is a nice idea to collaborate with your models as to scene ideas; but the key to that collaboration is that mgmnt has to have final say on the final product. The last thing you want to do is, as my dear Mother would say, let the inmates run the asylum.
My problem with scenes like this one is that even as a fantasy, the best fantasies have to have some relationship, no matter how small and/or tenuous, to reality. And the part where Oliver is supposed to be asleep during all of
Gage Owens's sexual machinations has no such link to reality unless we are to presume he had been roofied. It would have worked much better had Oliver slowly awakened as
Gage Owens was arousing him - much more realistic.
I did like the inventive sexual position at the beginning of the fucking. Of course, that only works with someone like
Gage Owens whose dick is long enough, and more importantly, stays hard throughout the scene. I can think of a few others who might be able to pull it off, but also a number of others who could not. So when new creative scenes are being plotted you must make sure that the models chosen for those scenes are physically equipped to perform what the scene calls for physically.
I have had to adapt to many changes during the bulk of my 75 years. And I have generally supported change when it adds something positive to whatever is the subject for possible change; but I abhor change just for the sake of change. I consider that the sign of a small and non-creative intellect.